Nowadays there are a lot of possibilities for filmmakers who want to create professional images with reasonable budget gear, so I thought to write an article with some advice to put together a camera+lenses set up (so I will not talk about a tripod, nd filters, sliders etc.) without spending thousands Euros or Dollars.
Under € 1000 — The Minimalistic Filmmaker: a compact camera is enough.
In the last years, the compact cameras market has risen a lot and you can easily find some little gems that can help you to produce interesting video stuff.
I have a Panasonic LX100 that I use as a B-Camera in my works and though I was at first skeptical, I found out it does its work very well and in some situations, I think I could use as the main camera.
Compact cameras have a mounted on the lens (a zoom lens most of the time), so you won’t have to buy lenses set.
There are some good quality compact cameras on the market right now, for example, the Sony RX100 V or Panasonic LX100, the first one is more expansive but it has a feature like Log color profile (very important if you want more control while grading your footage), while the second one is less expansive but with a Leica Summilux 24–75 lens mounted on.
Here a sample of what you can do with a Sony RX100 V (especially in slow motion.)
and here’s a video filmed with a Panasonic LX100
My personal pick
Sony RX100 V and Panasonic LX100 are both good cameras but if I had to give advice I’d say Leica D-Lux 6. There are not too many filmmakers using Leica cameras but recently I read an interesting article by Noam Kroll in which Leica D-Lux 6 is analyzed in depth.
If you think a compact camera can be used only for YouTube videos or v-logs, check out the works of the fashion filmmaker Ruslan Pelykh like this below
€ 1000+ — Thinking out of the box: filming with Olympus.
Olympus cameras are not so popular on filmmaking scene, but the Olympus Om-D Em-5 mark II could make change the mind to more than one filmmaker out there.
Here you can find a deep analysis of this camera, but we can easily understand how five-axis stabilization is the highlight, but also the ‘flat’ picture profile can be interesting for more control when you grade your videos.
There a lot of options for you, especially if you’re open to using adapted lens through focal reducers or adapters. I will give only two suggestions: native lenses and vintage lenses.
- Native lenses: this camera has an MFT mount (with a 2x crop factor), but you don’t have to be worried because Panasonic, Voigtlander, Sigma, Samyang, Veydra and, of course, Olympus, produce awesome lenses..
Here is my advice:
Olympus Zuiko 17mm f1.8 (34mm full frame equivalent)
Olympus Zuiko 12–40 f2.8 (24–80mm full frame equivalent)
- Vintage Lenses: in my opinion, when you shoot on a micro-four-third system you have to use a focal reducer (Metabones, Lens Turbo, Roxsen etc), so you can have a larger lenses choice.
Here’s my advice:
On the field
At last a sample of what the Olympus Om-D Em-5 mark II can do
and here a BTS that demonstrates the huge potential of five-axis stabilization
Under € 2000 — Pro on a budget with Panasonic
The GH series has been (and still is) very popular among filmmakers, from the surprising GH2 to the solid GH3 (used by Leonardo D’Alessandri for his masterpiece ‘Watchtower of Turkey’), from the GH4 to the most recent GH5
I know, there’s also GH5s, but it costs more than € 2000, so the GH5 is still worth buying. The chance to film on 10-bit Log internally is a must for every filmmaker and that’s one of the reasons you should consider to buy it, while color science, ergonomics etc are an aspect that often involves personal taste.
There are a lot of options for you, especially if you have a Metabones Speedbooster, that permits you to use lenses from Canon, Nikon etc.
I will give advice only on native lenses and vintage lenses:
- Native Lenses: GH5 has an MFT sensor with a 2x crop factor and, like Olympus cameras, you can choose between a lot of lenses:
Here’s my advice:
All-around lens: Panasonic Lumix G/Leica 12–60
- Vintage Lenses: the same thing for Olympus, so buy a focal reducer (Metabones, Lens Turbo, Roxsen etc), to have a larger lenses choice.
Here’s my advice:
On the field:
And that’s it. I wanted to remain under € 2000 for cameras, but I know there other great pieces of gear like Sony A7s, Sony FS5 or Blackmagic Ursa Mini Pro.
I deliberately didn’t talk about Blackmagic Pocket Cinema Camera because the old model is going out of the market (but still a very good camera), while the new one is not still released, but seems to be a very interesting camera.